Adriatic epopee. Ivan MeštrovićMap
Rynek Glowny 25
Ivan Meštrović, sculptor and architect, consistently constructed bridges that connected Croatia and its culture to Europe and the United States of America – both in his work and exhibition practice, as well as in his private life. From his early youth, when he studied in Vienna, until his final years spent in South Bend in the USA, he developed his international career retaining the awareness of his origins. Each Croatian passport contains the image of Meštrović’s History of the Croats; this way, Croatian citizens promote the sculptor’s work in the world. It is impossible to discuss Croatian art and history of the first half of the 20th century without the reference to his works. At the same time, Meštrović has found a permanent place amongst the most distinguished Central European artists of the previous century. He is one of the greatest Croatian artists, whose talent has permanently transformed the landscape of numerous cities in Europe and overseas. He invested the consciousness of other nations with elements of heritage that had shaped him. The 20th century revealed a dissonance between the modern abstract form – the inheritance of the avant-garde – and the natural human need for belonging and expressing the personal experience in public space. Meštrović’s continuous search for links between tradition and the present seems to anticipate the notion of the rear-guard – an antidote to the sense of alienation and threat experienced by contemporary man. Meštrović’s art epitomises the diversity of Croatian culture, its numerous ambivalences and contradictions. Its deep-reaching roots in Western civilisation are reflected in the Mediterranean idioms, in Central European and Western European modernisation projects. However, they are also invested with elements of local culture, which draws from the tradition of syncretism of the Balkan model, where patriarchal and heroic folk culture coexists with the presence of various denominations and religions – the Orthodox Church and Islam. In a sense, Meštrović’s work is a metaphor for the history of the Croats, who found themselves on the crossroads of Europe’s major civilisational trends: Christianity and Islam, the Orthodox Church and Catholicism, elite and folk culture, the Mediterranean basin and Central Europe. All those elements clash with one another, creating a rich cultural mosaic, which cannot be defined through common traits. The exhibition is the first Polish show of Meštrović’s work as well as the first show of Croatian art of this stature. The exhibition is organised in collaboration with Muzeji Ivana Meštrovicia: Galerija Meštrović in Split and Atelijer Meštrović in Zagreb.
This event happens in ICC